Lato Thin Italic|
Lato a family of 18 fonts by Łukasz Dziedzic
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Free for commercial use

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Um, uh, gah.
rick riordan
Lato Thin Italic
Design is redesign.
jan michl
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Lato Hairline
Lato Hairline Italic
Lato Thin
Lato Thin Italic
Lato Light
Lato Light Italic
Lato Regular
Lato Italic
Lato Medium
Lato Medium Italic
Lato Semibold
Lato Semibold Italic
Lato Bold
Lato Bold Italic
Lato Heavy
Lato Black
Lato Heavy Italic
Lato Black Italic

featuring 18 fonts
I can chase you, and I can catch you,
but there is nothing I can do to make you mine.
morrissey
The quick brown fox
Jumps over the lazy dog
supported charset
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HEX: #090513
RGB: 9 5 19
HEX: #BE4728
RGB: 190 71 40
HEX: #680F1C
RGB: 104 15 28
HEX: #58887D
RGB: 88 136 125
HEX: #DDA849
RGB: 221 168 73
So don't you worry your pretty little mind because people throw rocks at things that shine. [Ours]
taylor swift
text smalltext classic harmonic elegant sleek googleweb semirounded warm serious friendly summer contemporary humanist grotesque medium black hairline modern minimal lato Łukasz dziedzic
typeface supports twenty-nine languages
English German Spanish French Portoguese Russian Italian Dutch Turkish Swedish Czech Polish Greek Norvegian Romanian Danish Hungarian Icelandic Finnish Lithuanian Estonian Latvian Irish Albanian Catalan Serbo-Croatian-Bosnian Vietnamese Javanese Faroese

INFO

Lato is a sans serif typeface family started in the summer of 2010 by Warsaw-based designer Łukasz Dziedzic (“Lato” means “Summer” in Polish). In December 2010 the Lato family was published under the Open Font License by his foundry tyPoland, with support from Google. In the last ten or so years, during which Łukasz has been designing type, most of his projects were rooted in a particular design task that he needed to solve. With Lato, it was no different. Originally, the family was conceived as a set of corporate fonts for a large client — who in the end decided to go in different stylistic direction, so the family became available for a public release. When working on Lato, Łukasz tried to carefully balance some potentially conflicting priorities. He wanted to create a typeface that would seem quite “transparent” when used in body text but would display some original traits when used in larger sizes. He used classical proportions (particularly visible in the uppercase) to give the letterforms familiar harmony and elegance. At the same time, he created a sleek sans serif look, which makes evident the fact that Lato was designed in 2010 — even though it does not follow any current trend. The semi-rounded details of the letters give Lato a feeling of warmth, while the strong structure provides stability and seriousness. “Male and female, serious but friendly. With the feeling of the Summer,” says Łukasz. Learn more at www.latofonts.com

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