Pfeffermediaeval|
by Robert Pfeffer

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To love is to act
victor hugo
Pfeffermediaeval
We live in a dark and romantic and quite tragic world.
karl lagerfeld
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Pfeffermediaeval

featuring 1 font
I'll bet she's beautiful, that girl he talks about, and she's got everything that I have to live without... He's the reason for the teardrops on my guitar, the only one who's got enough of me to break my heart. He's the song in the car I keep singing; don't know why I do.
taylor swift
The quick brown fox
Jumps over the lazy dog
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HEX: #1D6CF4
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And I'll dance with you in Vienna,
I'll be wearing a river's disguise.
The hyacinth wild on my shoulder
my mouth on the dew of your thighs.
And I'll bury my soul in a scrapbook,
with the photographs there and the moss.
And I'll yield to the flood of your beauty,
my cheap violin and my cross.
leonard cohen
text medieval ancient calligraphy oldgothic runic carolineminuscule carolingian charlemagne minuscule 800s 900s 1000s 1100s oldenglish beowulf manuscript parchment stylisticalternates ligatures opentype pfeffermediaeval robert pfeffer
typeface supports twenty-four languages
English German Spanish French Portoguese Italian Turkish Swedish Czech Polish Norvegian Danish Hungarian Icelandic Finnish Lithuanian Estonian Latvian Irish Albanian Catalan Serbo-Croatian-Bosnian Javanese Faroese

INFO

Pfeffer Mediæval is the idealised image of a Carolingian minuscule, the script of Charlemagne, on which our modern Antiqua has been modelled. In the young kingdoms that had been founded on formerly Roman territory during the migration period, several so called Post-Roman scripts emerged up to the 8th century. These were already minuscule scripts using ascenders and descenders. Although all of them were derived from uncial, half uncial and new Roman cursive, they differed quite a lot regionally. Moreover, they were difficult to read, not least due to their extensive use of ligatures. Beginning from the end of the the 8th century a standardisation took place in the course of the Carolingian Renaissance. Advocated by Charlemagne and with important collaboration of Alcuin of York​—​who had responded to a call to Charlemagne’s palace school in Aachen​—​an easy to read script was developed that, beginning from the 9th century, quickly spread across the frankish scriptoria. This Carolingian minuscule became the common book and administrative script in the Carolingian empire and all over western Europe except Ireland, until it was in turn replaced by the Gothic minuscule script. In England, where the new script took a very belated foothold, the insular minuscule script (one of the above mentioned Post-Roman scripts) was in coeval use up to the 12th century. This insular hand script primarily differs from the continental one in the shape of a few letters. Being my most extensive font as yet, Pfeffer Mediæval contains more than 800 glyphs the whole of which cannot be displayed here. The Latin range includes numerous accented letters and additional characters for purposes of medieval philology. As far as the coverage reaches, the character mapping follows the recommendations of the Medieval Unicode Font Initiative. Among those additional characters are several insular variants of Latin letters, rendering Pfeffer Mediæval suitable for display of Old English texts as well.Character set of Pfeffer Mediæval Finally, this font also encompasses a Gothic and a Runic character set.OpenType Features Pfeffer Mediæval contains OpenType features for historical text layout, insular script and Gothic alphabet as well as for small capitals and particularly large capitals. Activating the “hist” feature for historical text layout generates a typeface that comes closer to the historic customs in writing Carolingian minuscule. The umlauts ä, ö and ü are replaced by ligatures like æ and œ, v is replaced by u and w by uu, i is replaced by ı and finally s by ſ. Punctuation is reduced to mid-dot (“·”), and all marks (or combinations of such) are replaced accordingly. The following example shall give a demonstration. In Order to make this feature available in Microsoft Word 2010 (which supports just a few OpenType features, including the stylistic sets), I’ve added a copy of this feature as stylistic set “ss05”. If you like this font or if you would like to comment on it or to make a proposal, feel free to visit my personal website at robert-pfeffer.net and to write into my guestbook! Robert Pfeffer

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