Lunchtype23 Italic|
Lunchtype23 a family of 3 fonts by Steppot
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Aimer, c'est agir
victor hugo
Lunchtype23 Italic
Close your eyes and I'll kiss you, Tomorrow I'll miss you.
paul mccartney
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Lunchtype23 Light Italic
Lunchtype23 Italic
Lunchtype23 Medium Italic

featuring 3 fonts
And I'll dance with you in Vienna,
I'll be wearing a river's disguise.
The hyacinth wild on my shoulder
my mouth on the dew of your thighs.
And I'll bury my soul in a scrapbook,
with the photographs there and the moss.
And I'll yield to the flood of your beauty,
my cheap violin and my cross.
leonard cohen
The quick brown fox
Jumps over the lazy dog
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We are the ones who take this thing called music and line it up with this thing called time. We are the ticking, we are the pulsing, we are underneath every part of this moment. And by making the moment our own, we are rendering it timeless. There is no audience. There are no instruments. There are only bodies and thoughts and murmurs and looks. It's the concert rush to end all concert rushes, because this is what matters. When the heart races, this is what it's racing towards.
rachel cohn
text lunchtype contemporary medium modern minimal lunchtype23 steppot
typeface supports twelve languages
English German Spanish French Portoguese Italian Swedish Norvegian Danish Albanian Javanese Faroese

INFO

Lunchtype is a contemporary lunch-time design experiment updated irregularly on Steppot @Instagram around 13:00-14:00 (CET +01:00) o’clock daily during a #100daysproject in 2015. Learning from letters every lunch was the approach towards every post uploaded under the hashtag #lunchtype. The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. Lunchtype is now a continuous typographic project. Whenever a boring lunch hour occurs, a letter form is created. Lunchtype now consists of 25 weeks of boring lunch, free for you to download and use.

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