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Josefin Sans

Josefin Sans Thin Italic| Josefin Sans a family of 10 fonts by Typemade

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Free for commercial use

I'm as cruel as life. As cruel as love. l.j. smith

Josefin Sans Thin Italic

If you gave someone your heart and they died, did they take it with them? Did you spend the rest of forever with a hole inside you that couldn't be filled? jodi picoult

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z

pexels

Josefin Sans ThinJosefin Sans Thin ItalicJosefin Sans LightJosefin Sans Light ItalicJosefin SansJosefin Sans ItalicJosefin Sans SemiboldJosefin Sans Semibold ItalicJosefin Sans BoldJosefin Sans Bold Italic
featuring 10 fonts

So I would choose to be with you,
That's if the choice were mine to make,
But you can make decisions too,
And you can have this heart to break billy joel

The quick brown fox Jumps over the lazy dog

supported charset ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890%#!?,:;{[()]}¶§&''‚¡¿•«»‹›-—_\/|¦@©®^~+<=>×÷±*µªº°º¹²³æø¿¡¬¤æÆßðþÞÁÀÂÄÃÅÇÐÉÈÊËÍÌÎÏÑÓÒÔÖÕØÚÙÛÜÝááàâäãåçéèêëíìîïñóòôöõøúùûüýÿ

pexels

HEX: #2B1B2B
RGB: 43 27 43

HEX: #4C303E
RGB: 76 48 62

HEX: #B57E69
RGB: 181 126 105

HEX: #6D4550
RGB: 109 69 80

HEX: #DDD6A2
RGB: 221 214 162

I could recognise his soul in mine as much as he could find me in his. Our sole existences seemed to have been for this very moment when nothing else mattered. x. williamson

text geometric elegant vintage 1920s kabel 1930s memphis futura lowx-height highascenders googleweb medium modern minimal josefin typemade

typeface supports eleven languages English German Spanish Portoguese Italian Swedish Norvegian Danish Albanian Javanese Faroese

INFO

The idea for creating this typeface was to make it geometric, elegant and kind of vintage, especially for titling. It is based on Rudolf Koch's Kabel (1927), Rudolf Wolf's Memphis (1930),Paul Renner's Futura (1927). My idea was to draw something with good style, that reflects Swedish design and their passion for a good lifestyle, and by default all other Scandinavian styles. Something weird happened when I drew the letter "z": when I took my typography courses in college, I saw a very interesting typeface in a book, the New Universal Typeface "Newut" from André Baldinger (which I have loved since then), and after I finished the "z" I ran into Newut' site again and noticed that I had unconsciously drawn it with the same haircut. The x-height is half way from baseline to caps height, unlike any other modern typeface. I wanted to do something different with the ampersand, so I made three and will include them as alternates in future versions. This version also includes Old Style Numerals. It took me about 1 month to draw 373 glyphs.

INFO

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