Baskervville Regular|
Baskervville a family of 2 fonts by ANRT
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The best British cars are Italian.
colin chapman
Baskervville Regular
Something that everyone wants to have read but no one wants to read.
mark twain
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Baskervville Regular
Baskervville Regular
Baskervville Italic
Baskervville Italic

featuring 4 fonts
The concept of the multinational and multiracial society is the concept of national destruction.
rodong sinmun
The quick brown fox
Jumps over the lazy dog
supported charset
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890€%‰#!?.,:;{[()]}¶§†‡&fifl''‚...¡¿•·«»‹›-−—_\/|¦@©®™^~+<=>×÷−±*∞≤≥ªº°º¹²³æø¿¡¬ƒ≈¤æœÆŒßðþĐÞÁÀÂÄÃĀÅĂĄĆČĊÇÐĎÉÈÊËĒĚĖĘĞĠĢĦÍÌÎÏĪİĮĶĹĽĻŁŃÑŇŅŊÓÒÔÖÕŌŐØŔŘŖŚŠŞȘŤŢŦÚÙÛÜŨŪŮŰŲẂẀŴẄÝỲŶŸŹŽŻááàâäãāåăąćčċçďđéèêëēěėęğġģĥħíìîïīįķĺľļłńñňņŋóòôöõōőøŕřŗśšşșťţŧúùûüũūůűųẃẁŵẅýỳŷÿźžż
HEX: #EA2044
RGB: 234 32 68
HEX: #FF3631
RGB: 255 54 49
HEX: #FB5918
RGB: 251 89 24
HEX: #99A273
RGB: 153 162 115
HEX: #BEB49F
RGB: 190 180 159
The Hyla breed
That shouted in the mist a month ago,
Like ghost of sleigh-bells in a ghost of snow.
robert frost
text bracketserif vintage classic baskerville didot book classical old baskervville anrt
typeface supports twenty-four languages
English German Spanish French Portoguese Italian Turkish Swedish Czech Polish Norvegian Romanian Danish Hungarian Icelandic Finnish Lithuanian Estonian Latvian Albanian Catalan Serbo-Croatian-Bosnian Javanese Faroese

INFO

Baskervville is a revival of Jacob's revival of Baskerville's typeface. It was distributed by Berger-Levrault Foundry from 1815. The font Jacob produced was sold as a "Caractères dans le genre Baskerwille" i.e "Baskerwille fonts alike" — with a w instead of a v. The particularity of Jacob's Baskerwille is that the roman is very closed to Baskerville's typefaces while the italic is closer to Didot's typefaces. The workshop aimed to digitalized Jacob's font in order to testify to his work which creates a transition between transitional and modern styles. The sources showed obvious mistakes due to the difficulty of producing and printing types in the 19th century. We didn't want to parody an historical typeface which would have reproduced irregularities from the paper, the ink nor the machine. So we tried to be true to what we thought were Jacob's purposes while using contemporary tools. However, we wanted to be able to use the font and for that matter we corrected some letter-shapes and proportions. We also had to guess the design of missing letters. We kept that unusual w, which is basically twice a v, and make it the identity of Jacob's font, since the mistake was already made. But is it ? Jacob's Baskerwille is a strange double of Baskerville's typefaces; a "clone" which looks alike but which is not as achieved as its master. So we found interesting that elementary duplication of the letter v — which signals, in a way, the counterfeiting.

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