Baskervville Regular|
Baskervville a family of 2 fonts by ANRT
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I saw and loved.
edward gibbon
Baskervville Regular
Whither thou goest...
neil gaiman
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Baskervville Regular
Baskervville Regular
Baskervville Italic
Baskervville Italic

featuring 4 fonts
So I would choose to be with you,
That's if the choice were mine to make,
But you can make decisions too,
And you can have this heart to break
billy joel
The quick brown fox
Jumps over the lazy dog
supported charset
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890€%‰#!?.,:;{[()]}¶§†‡&fifl''‚...¡¿•·«»‹›-−—_\/|¦@©®™^~+<=>×÷−±*∞≤≥ªº°º¹²³æø¿¡¬ƒ≈¤æœÆŒßðþĐÞÁÀÂÄÃĀÅĂĄĆČĊÇÐĎÉÈÊËĒĚĖĘĞĠĢĦÍÌÎÏĪİĮĶĹĽĻŁŃÑŇŅŊÓÒÔÖÕŌŐØŔŘŖŚŠŞȘŤŢŦÚÙÛÜŨŪŮŰŲẂẀŴẄÝỲŶŸŹŽŻááàâäãāåăąćčċçďđéèêëēěėęğġģĥħíìîïīįķĺľļłńñňņŋóòôöõōőøŕřŗśšşșťţŧúùûüũūůűųẃẁŵẅýỳŷÿźžż
HEX: #C11515
RGB: 193 21 21
HEX: #196DFF
RGB: 25 109 255
HEX: #FFAB19
RGB: 255 171 25
HEX: #444546
RGB: 68 69 70
HEX: #9E9E9E
RGB: 158 158 158
You have to, take a deep breath. and allow the music to flow through you. Revel in it, allow yourself to awe. When you play allow the music to break your heart with its beauty.
kelly white
text bracketserif vintage classic baskerville didot book classical old baskervville anrt
typeface supports twenty-four languages
English German Spanish French Portoguese Italian Turkish Swedish Czech Polish Norvegian Romanian Danish Hungarian Icelandic Finnish Lithuanian Estonian Latvian Albanian Catalan Serbo-Croatian-Bosnian Javanese Faroese

INFO

Baskervville is a revival of Jacob's revival of Baskerville's typeface. It was distributed by Berger-Levrault Foundry from 1815. The font Jacob produced was sold as a "Caractères dans le genre Baskerwille" i.e "Baskerwille fonts alike" — with a w instead of a v. The particularity of Jacob's Baskerwille is that the roman is very closed to Baskerville's typefaces while the italic is closer to Didot's typefaces. The workshop aimed to digitalized Jacob's font in order to testify to his work which creates a transition between transitional and modern styles. The sources showed obvious mistakes due to the difficulty of producing and printing types in the 19th century. We didn't want to parody an historical typeface which would have reproduced irregularities from the paper, the ink nor the machine. So we tried to be true to what we thought were Jacob's purposes while using contemporary tools. However, we wanted to be able to use the font and for that matter we corrected some letter-shapes and proportions. We also had to guess the design of missing letters. We kept that unusual w, which is basically twice a v, and make it the identity of Jacob's font, since the mistake was already made. But is it ? Jacob's Baskerwille is a strange double of Baskerville's typefaces; a "clone" which looks alike but which is not as achieved as its master. So we found interesting that elementary duplication of the letter v — which signals, in a way, the counterfeiting.

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