Syncopate Regular|
Syncopate a family of 2 fonts by Astigmatic
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The best British cars are Italian.
colin chapman
Syncopate Regular
The problem with traffic is that the people of today are driving the cars of tomorrow on the roads of yesterday.
bob talbert
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Syncopate Regular
Syncopate Bold

featuring 2 fonts
Nine-tenths of our crimes an' calamities are made possible by th' automobile. It has unleashed all th' pent-up criminal tendencies o' th' ages. It's th' central figure in murders, hold-ups, burglaries, accidents, elopements, failures an' abscondments. It has well nigh jimmed th' American home.... No girl is missin' that wuzn' last seen steppin' in a strange automobile.... An' ther hain't a day rolls by that somebuddy hain't sellin' ther sewin' machine, or ther home, or somethin' t' pay on an automobile.... Maybe th' jails an' workhouses are empty, but that's not because th' world is gittin' better. It's because all th' criminals escape in automobiles.
kin hubbard
The quick brown fox
Jumps over the lazy dog
supported charset
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HEX: #363F48
RGB: 54 63 72
HEX: #F26E21
RGB: 242 110 33
HEX: #FFD602
RGB: 255 214 2
HEX: #2D839E
RGB: 45 131 158
HEX: #65CCA9
RGB: 101 204 169
The fact is, the public make use of the classics of a country as a means of checking the progress of Art. They degrade the classics into authorities. They use them as bludgeons for preventing the free expression of Beauty in new forms.
oscar wilde
text unicase headline modern googleweb minimal syncopate-regular astigmatic one eye typographic institute
typeface supports twenty-four languages
English German Spanish French Portoguese Italian Dutch Turkish Swedish Czech Polish Norvegian Danish Hungarian Icelandic Finnish Lithuanian Estonian Latvian Albanian Catalan Serbo-Croatian-Bosnian Javanese Faroese

INFO

Syncopate was designed in 2010 as a headline and display typeface. Light in weight with a wide body width, it is a unicase design where the traditional lowercase x-height has been abandoned and a single uppercase height rules the design of all of the alpha and numeric glyphs. Some uppercase glyphs are copied to their lowercase slots, where other lowercase glyphs such as the a, e, and r, are scaled up to uppercase heights. This motif allows for a vast array of setting possibilities. Though intended for display, Syncopate does work well for limited text runs. The letter forms are a modern and stylish sans serif inspired by the many trendy sans serif typefaces that are so prevalent today. The lighter weight and wide body impart a certain level of elegance, while the unicase approach keeps the look lively and fresh. A true bold was added in April 2011.