Dejavu Sans Extralight|
Dorsa a family of 9 fonts by Bitstream
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No sooner is a temple built to God but the devil builds a chapel hard by.
george herbert
Dejavu Sans Extralight
Sweet Teviot! on thy silver tide
The glaring bale-fires blaze no more;
No longer steel-clad warriors ride
Along thy wild and willow'd shore.
walter scott
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Dejavu Sans Extralight
Dorsa

featuring 2 fonts
Alone by the Schuylkill a wanderer rov'd,
And bright were its flowery banks to his eye;
But far, very far, were the friends that he lov'd,
And he gaz'd on its flowery banks with a sigh.
thomas moore
The quick brown fox
Jumps over the lazy dog
supported charset
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HEX: #103E4A
RGB: 16 62 74
HEX: #99A69F
RGB: 153 166 159
HEX: #FFA423
RGB: 255 164 35
HEX: #BAF24B
RGB: 186 242 75
HEX: #FFF4E5
RGB: 255 244 229
Thou hast fair forms that move
With queenly tread;
Thou hast proud fanes above
Thy mighty dead.
Yet wears thy Tiber's shore
A mournful mien:-
Rome, Rome, thou art no more
As thou hast been.
felicia hemans
text classic dejavu grotesque largex-height modern minimal extralight bitstream
typeface supports twenty-nine languages
English German Spanish French Portoguese Russian Italian Dutch Turkish Swedish Czech Polish Greek Norvegian Romanian Danish Hungarian Icelandic Finnish Lithuanian Estonian Latvian Irish Albanian Catalan Serbo-Croatian-Bosnian Vietnamese Javanese Faroese

INFO

I always been attracted to condensed typefaces, and one of the first I came across was Empire, designed by Morris Benton Fuller for ATF in 1937. I first spotted it in an architecture book at my college's library while doing homework. Dorsa is a modern interpretation of Empire with some personal details. When I start sketching I knew it would be a little less condensed than the original Empire because I wanted it to be used for use in titles, and combined with positive letter spacing it gives an elegant look to text. Although the original hasn't got a lowercase, I studied a lot of skyline typefaces and drew a fully original lowercase. I started with lowercase “o”, which isn't completely geometric, it is expanded to the outside, keeping the same whitespace through all weights. And this repeats all over the typeface, because the construction of all the characters was modular, based on that “o”; the “f” is designed to not meet any of the diacritics; and uppercase “A” has a traditional form, because I think this is more legible.

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