Bastarda|
by George Williams
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Done is beautiful.
frank chimero
Bastarda
If it weren't for music, I would think that love is mortal.
mark helprin
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Bastarda
Bastarda

featuring 2 fonts
When you drop a glass or a plate to the ground it makes a loud crashing sound. When a window shatters a table leg breaks or when a picture falls off the wall it makes a noise. But as for your heart when that breaks it s completely silent. You would think as it s so important it would make the loudest noise in the whole world or even have some ... Read Moresort of ceremonious sound like the gong of a cymbal or the ringing of a bell. But it s silent and you almost wish there was a noise to distract you from the pain. If there is a noise it s internal. It screams and no one can hear it but you. It screams so loud your ears ring and your head aches. It trashes around in your chest like a great white shark caught in the sea it roars like a mother bear whose cub has been taken. That s what it looks like and that s what it sounds like a trashing panicking trapped great big beast roaring like a prisoner to its own emotions. But that s the thing about love no one is untouchable.
cecelia ahern
The quick brown fox
Jumps over the lazy dog
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Would you destroy Something perfect in order to make it beautiful?
gerard way
display medium blackletter calligraphy gothic oldfrench oldgerman 1300s 1400s burgundian duke manuscript gutenberg longascenders longdescenders ancient bastarda george williams
typeface supports twelve languages
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INFO

Wikipedia says: Bastarda (or bastard or lettre bâtarde in French) was a Gothic script used in France, the Burgundian Netherlands and Germany during the 14th and 15th centuries. The Burgundian variant of script can be seen as the court script of the Dukes of Burgundy and was used to produce some of the most magnificent manuscripts of the 15th century. The early printers produced regional versions in type which were used especially to print texts in the vernacular languages, more rarely for Latin texts. The earliest bastarda was produced by Gutenberg in 1454/1455. The main variety was the one used in France, which was also found in Geneva, Antwerp and London. Another local variety was found in the Netherlands; Caxton's first types were a rather poor copy of this. The French lettre bâtarde passed out of use by the mid-16th century but the German variety developed into the national Fraktur type which remained in use until the mid-twentieth century.[1]