Backstagepassnf|
by Nick's Fonts
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If it weren't for music, I would think that love is mortal.
mark helprin
Backstagepassnf
So I would choose to be with you,
That's if the choice were mine to make,
But you can make decisions too,
And you can have this heart to break
billy joel
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Backstagepassnf
Backstagepassnf

featuring 2 fonts
Isn't it funny how the memories you cherish before a breakup can become your worst enemies afterwards? The thoughts you loved to think about, the memories you wanted to hold up to the light and view from every angle--it suddenly seems a lot safer to lock them in a box, far from the light of day and throw away the key. It's not an act of bitterness. It's an act if self-preservation. It's not always a bad idea to stay behind the window and look out at life instead, is it?
ally condie
The quick brown fox
Jumps over the lazy dog
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We are the ones who take this thing called music and line it up with this thing called time. We are the ticking, we are the pulsing, we are underneath every part of this moment. And by making the moment our own, we are rendering it timeless. There is no audience. There are no instruments. There are only bodies and thoughts and murmurs and looks. It's the concert rush to end all concert rushes, because this is what matters. When the heart races, this is what it's racing towards.
rachel cohn
display filled striped vertical streamlined multi-linear poster spectaculars 1960s artdeco retro disco dazzling bassrainbow saulbass 1970s hip funky groovy fat spliced concert music backstagepassnf nick curtis
typeface supports fourteen languages
English German Spanish French Portoguese Italian Swedish Norvegian Danish Finnish Estonian Albanian Javanese Faroese

INFO

A bold headline fonts with a lot of pizazz — streamlined letterforms with a multiline insert. Great for concerts, spectaculars and upscale promotions. Based loosely on a 60’s Deco Revival font called Bass Rainbow, with some tasty revisions. The commercial font is "new and improved" over the freeware version, with expanded character set and improved kerning, so you get what you pay (or don't pay) for.

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