Sf Transrobotics Extended Oblique|
Abscissa a family of 6 fonts by ShyFonts
Choose a weight from here:

Free for personal use

ADD TO

ADD NEW PINBOARD

X
The best British cars are Italian.
colin chapman
Sf Transrobotics Extended Oblique
The problem with traffic is that the people of today are driving the cars of tomorrow on the roads of yesterday.
bob talbert
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Abscissa
Abscissa Italic
Sf Transrobotics Extended Oblique
Sf Transrobotics Oblique
Abscissa Bold
Abscissa Bold Italic
Sf Transrobotics Condensed
Sf Transrobotics Condensed Oblique

featuring 8 fonts
Nine-tenths of our crimes an' calamities are made possible by th' automobile. It has unleashed all th' pent-up criminal tendencies o' th' ages. It's th' central figure in murders, hold-ups, burglaries, accidents, elopements, failures an' abscondments. It has well nigh jimmed th' American home.... No girl is missin' that wuzn' last seen steppin' in a strange automobile.... An' ther hain't a day rolls by that somebuddy hain't sellin' ther sewin' machine, or ther home, or somethin' t' pay on an automobile.... Maybe th' jails an' workhouses are empty, but that's not because th' world is gittin' better. It's because all th' criminals escape in automobiles.
kin hubbard
The quick brown fox
Jumps over the lazy dog
supported charset
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890€%‰#!?.,:;{[()]}¶§†‡&fifl''‚...¡¿•·«»‹›-−—_\/|¦@©®™^~+<=>×÷−±*∞≤≥µ∂∑∏π∫ªº°º¹²³Ωæø¿¡¬√ƒ≈∆¤æœÆŒßðþĐÞÁÀÂÄÃĀÅĂĄǼĆĈČĊÇÐĎÉÈÊËĒĚĔĖĘĜĞĠĤĦÍÌÎÏĨĪĬİĮĴĹŁŃÑŇŊÓÒÔÖÕŌŎŐØǾŔŘŚŜŠŞŤŦÚÙÛÜŨŪŮŬŰŲẂẀŴẄÝỲŶŸŹŽŻááàâäãāåăąǽćĉčċçđéèêëēěĕėęĝğġĥħíìîïĩīĭįĵĸłńñňŋóòôöõōŏőøǿŕřśŝšşŧúùûüũūůŭűųẃẁŵẅýỳŷÿźžżΔΩμπАБВГДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯабвгдежзийклмнопрстуфхцчшщъыьэюяЁЃЄЅІЇЈЉЊЋЌЎЏёђѓєѕіїјљњћќўџ
HEX: #363F48
RGB: 54 63 72
HEX: #F26E21
RGB: 242 110 33
HEX: #FFD602
RGB: 255 214 2
HEX: #2D839E
RGB: 45 131 158
HEX: #65CCA9
RGB: 101 204 169
The fact is, the public make use of the classics of a country as a means of checking the progress of Art. They degrade the classics into authorities. They use them as bludgeons for preventing the free expression of Beauty in new forms.
oscar wilde
display robotic black poster techno futuristic scifi 1970s disco digital movie superhero computer sciencefiction transrobotics extended oblique shyfoundry fonts angled angular transformers minimal
typeface supports twenty-one languages
English German Spanish French Portoguese Russian Italian Turkish Swedish Polish Norvegian Danish Hungarian Icelandic Finnish Lithuanian Estonian Albanian Serbo-Croatian-Bosnian Javanese Faroese

INFO

The story of Abscissa: One day I was sitting in front of my computer with Fontographer running. I had no new font for the week. So I sat there searching my brain for any sort of inspiration, any at all. None came. Eventually ennui set in and I started playing around with some of Fontographer’s features. I opened up its freehand draw tool and started to doodle in a blank A glyph. Soon I realized you could make the tips of the letters you drew square or rounded. I changed that a few times and experimented with the results. Rounded was unpleasant somehow so I set it to square. I wrote with the mouse in the blank glyph “I have no inspiration”. The letters I had just created looked really good ... and then, bam! Inspiration came. I went throught each glyph, drawing in a letter the same way I had before. After each was done and the extended characters were created, Abscissa was born. By definition, an abscissa is “the coordinate representing the position of a point along a line perpendicular to the y-axis in a plane Cartesian coordinate system” (the definition came from dictionary.com). Just for the record, I don’t know what that means.

RELATED