Mr Dafoe Regular|
by Sudtipos

Free for commercial use

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Ferraris are art, but they love being driven.
chris evans
Mr Dafoe Regular
The problem with traffic is that the people of today are driving the cars of tomorrow on the roads of yesterday.
bob talbert
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Mr Dafoe Regular

featuring 1 font
Nine-tenths of our crimes an' calamities are made possible by th' automobile. It has unleashed all th' pent-up criminal tendencies o' th' ages. It's th' central figure in murders, hold-ups, burglaries, accidents, elopements, failures an' abscondments. It has well nigh jimmed th' American home.... No girl is missin' that wuzn' last seen steppin' in a strange automobile.... An' ther hain't a day rolls by that somebuddy hain't sellin' ther sewin' machine, or ther home, or somethin' t' pay on an automobile.... Maybe th' jails an' workhouses are empty, but that's not because th' world is gittin' better. It's because all th' criminals escape in automobiles.
kin hubbard
The quick brown fox
Jumps over the lazy dog
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I think cars today are almost the exact equivalent of the great Gothic cathedrals. I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
roland barthes
handmade googleweb bluemleinscript calligraphy american unitedstates 1930s 1940s newyork cursive retro vintage stationary wedding elegant signature masculine longascenders longdescenders medium dafoe sudtipos calligraphic charlesbluemlein
typeface supports fourteen languages
English German Spanish French Portoguese Italian Swedish Norvegian Danish Finnish Estonian Albanian Javanese Faroese

INFO

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography it became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein. The available opentype version Mr Dafoe Procomes with ligatures and alternates.