Josefin Sans Thin Italic|
Josefin Sans a family of 10 fonts by Typemade
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Amor omnibus idem.
virgil
Josefin Sans Thin Italic
Keep your best wishes, close to your heart and watch what happens
tony deliso
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Josefin Sans Thin
Josefin Sans Thin Italic
Josefin Sans Light
Josefin Sans Light Italic
Josefin Sans
Josefin Sans Italic
Josefin Sans Semibold
Josefin Sans Semibold Italic
Josefin Sans Bold
Josefin Sans Bold Italic

featuring 10 fonts
Would you destroy Something perfect in order to make it beautiful?
gerard way
The quick brown fox
Jumps over the lazy dog
supported charset
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890%#!?,:;{[()]}¶§&''‚¡¿•«»‹›-—_\/|¦@©®^~+<=>×÷±*µªº°º¹²³æø¿¡¬¤æÆßðþÞÁÀÂÄÃÅÇÐÉÈÊËÍÌÎÏÑÓÒÔÖÕØÚÙÛÜÝááàâäãåçéèêëíìîïñóòôöõøúùûüýÿ
HEX: #BBBB92
RGB: 187 187 146
HEX: #E5E5C8
RGB: 229 229 200
HEX: #DCDBA7
RGB: 220 219 167
HEX: #F8F8E1
RGB: 248 248 225
HEX: #FBFBED
RGB: 251 251 237
And, in the end
The love you take
is equal to the love you make.
paul mccartney
text geometric elegant vintage 1920s kabel 1930s memphis futura lowx-height highascenders googleweb medium modern minimal josefin typemade
typeface supports eleven languages
English German Spanish Portoguese Italian Swedish Norvegian Danish Albanian Javanese Faroese

INFO

The idea for creating this typeface was to make it geometric, elegant and kind of vintage, especially for titling. It is based on Rudolf Koch's Kabel (1927), Rudolf Wolf's Memphis (1930),Paul Renner's Futura (1927). My idea was to draw something with good style, that reflects Swedish design and their passion for a good lifestyle, and by default all other Scandinavian styles. Something weird happened when I drew the letter "z": when I took my typography courses in college, I saw a very interesting typeface in a book, the New Universal Typeface "Newut" from André Baldinger (which I have loved since then), and after I finished the "z" I ran into Newut' site again and noticed that I had unconsciously drawn it with the same haircut. The x-height is half way from baseline to caps height, unlike any other modern typeface. I wanted to do something different with the ampersand, so I made three and will include them as alternates in future versions. This version also includes Old Style Numerals. It took me about 1 month to draw 373 glyphs.

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