Josefin Sans Thin Italic|
Josefin Sans a family of 10 fonts by Typemade
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You cannot not communicate.
paul watzlawik
Josefin Sans Thin Italic
No great thing is created suddenly.
epictetus
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Josefin Sans Thin
Josefin Sans Thin Italic
Josefin Sans Light
Josefin Sans Light Italic
Josefin Sans
Josefin Sans Italic
Josefin Sans Semibold
Josefin Sans Semibold Italic
Josefin Sans Bold
Josefin Sans Bold Italic

featuring 10 fonts
Design is creativity with strategy.
rob curedale
The quick brown fox
Jumps over the lazy dog
supported charset
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890%#!?,:;{[()]}¶§&''‚¡¿•«»‹›-—_\/|¦@©®^~+<=>×÷±*µªº°º¹²³æø¿¡¬¤æÆßðþÞÁÀÂÄÃÅÇÐÉÈÊËÍÌÎÏÑÓÒÔÖÕØÚÙÛÜÝááàâäãåçéèêëíìîïñóòôöõøúùûüýÿ
HEX: #000000
RGB: 0 0 0
HEX: #517488
RGB: 81 116 136
HEX: #BE4E4D
RGB: 190 78 77
HEX: #8C7F78
RGB: 140 127 120
HEX: #768C71
RGB: 118 140 113
Offend nobody, design for somebody.
paul boag
text geometric elegant vintage 1920s kabel 1930s memphis futura lowx-height highascenders googleweb medium modern minimal josefin typemade
typeface supports eleven languages
English German Spanish Portoguese Italian Swedish Norvegian Danish Albanian Javanese Faroese

INFO

The idea for creating this typeface was to make it geometric, elegant and kind of vintage, especially for titling. It is based on Rudolf Koch's Kabel (1927), Rudolf Wolf's Memphis (1930),Paul Renner's Futura (1927). My idea was to draw something with good style, that reflects Swedish design and their passion for a good lifestyle, and by default all other Scandinavian styles. Something weird happened when I drew the letter "z": when I took my typography courses in college, I saw a very interesting typeface in a book, the New Universal Typeface "Newut" from André Baldinger (which I have loved since then), and after I finished the "z" I ran into Newut' site again and noticed that I had unconsciously drawn it with the same haircut. The x-height is half way from baseline to caps height, unlike any other modern typeface. I wanted to do something different with the ampersand, so I made three and will include them as alternates in future versions. This version also includes Old Style Numerals. It took me about 1 month to draw 373 glyphs.

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